With chart-topping tracks, electrifying sets, and performances across the globe, DJ Luane has become a force in the global electronic music scene. Her sound transcends borders, blending underground beats with nostalgic twists that ignite dance floors from LA to Asia. Behind every track lies not just rhythm, but the pulse of connection she shares with thousands moving as one.
DJ Luane, your latest track “Pop The Champagne” made a huge splash, reaching #1 in Mexico, while “Eyes on Me” entered the Beatport Top 100 in the Tech House category in January 2025. You’ve already performed in 24 countries. What do you feel when thousands of people move to your set? Which city or festival gave you the most powerful emotions on stage?
Honestly, every time I see thousands of people moving together to my set, it feels surreal, like we’re all connected by one heartbeat. That energy is something you can’t put into words — it’s pure magic. I still get goosebumps when I look up and see a sea of people vibing to the same rhythm.
It’s hard to choose just one city or festival because each crowd has its own unique energy, but one of the most powerful moments for me was in LA, under a bridge, where people gathered simply to lose themselves in tech music at its best.
Music unites cultures. Which rhythms or traditional elements from different countries do you most often weave into your sets?
I also enjoy bringing a touch of nostalgia into my sets by adding tech house remixes of older popular songs. When the crowd suddenly recognises a melody from their past but hears it with a fresh underground twist, the reaction is electric. For me, that mix of cultural rhythms and reimagined classics is the perfect way to connect people on the dance floor, no matter where in the world they’re from.
You’re currently based in Asia. How is the Asian club scene different from the European or Brazilian one?
It really depends on the country, but overall, I feel the Asian scene leans towards harder sounds — hyper techno, big room, faster BPMs. Brazilians, on the other hand, don’t usually go for harder music; they prefer bass house and similar styles. Europe is still very much into the underground scene. Each country has its own flavour, so you always need to research carefully before playing.
Your collaborations include top-100 DJs such as Cue Brick. How do you choose artists to work with, and what does “perfect musical chemistry” mean to you?
When it’s a singer, I usually look for a certain type of vocal that fits well with tech house — someone who can truly write and pour their soul into the track. For collaborations with other producers, it’s important they have a similar style, mostly electronic, because it would be difficult to collaborate with, say, a hip-hop artist. I also value working with people who have real experience in the industry, as that creates the best foundation for genuine musical chemistry.
Model: @djluane
Photographer: aintkai / @kaitoumie of @edgeoflightstudios
Produced by: @xanderangeles
Hair & Makeup: @donaldlapez
